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報考資格：須通過第五級以上樂理或實用音樂素養
三首考曲: 由下列A,B,C,三組中各選一首(選錯曲可能不計分)
A 組
- Borodin Intermezzo: no.1 from ‘Five Pieces from Little Suite’
(Israel Brass Woodwind Publications/MusT)
- Glazunov Reverie, Op.24
(Belaieff 343/Peters)
- Gounod Six Pieces melodiques
originales, Vol. 2: no.4
(Billaudot/U.M.P.)
- Mozart Horn Concerto no.3
in E b , K.447: 1st or 3rd movt, either Allegro
(E flat/F edition: Barenreiter BA 5312a)
- Mozart Horn Concerto no.4
in E flat, K.495: 3rd movt, Rondo: Allegro vivace
(E flat/F edition: Barenreiter BA 5313a)
- Nielsen Canto Serioso
(Skandinavisk Musikforlag/Music Sales)
- Rosetti Horn Concerto in
D minor: 3rd movt, Rondo
(Simrock 3061/M.D.S.)
- Franz Strauss Nocturno, Op.7
(Universal 1368/M.D.S.)
B 組
- Bartos Rondo, from ‘Adagio
Elegiaco e Rondo’
(Schott COR 5/M.D.S.)
- Bozza Chant Lointain
(Leduc/U.M.P.)
- Gordon Carr Idyll: no.2 from
‘A Day in the Country’
(Broadbent & Dunn)
- Arnold Cooke Rondo in B flat.
(Schott ED 10231/M.D.S.)
- Jean-Michel Damase
Pavane Variee
(Lemoine/U.M.P.)
- Hindemith Horn Sonata (1939):
1st movt, Massig bewegt
(Schott ED 3642/M.D.S.)
- Bertold Hummel Sonatine for Horn,
Op.75a: 3rd movt, Finale: Presto
(Schott COR 7/M.D.S.)
- Guy Woolfenden Sword Dance, from
‘Horn Dances’
(Brass Wind)
C組
- J. S. Bach Cello Suite no.5:
7th movt, Gigue.
Bach Six Suites for Horn Solo, arr. Orval (Editions Marc Reift/MusT)
- Kopprasch 60 Selected Studies
for French Horn, Book 1: no.33
(Carl Fischer CFO 2790/M.D.S.)
- Peter Lawrance Hornpipe or La
Chase, from ‘Featuring Melody’
(Treble clef brass edition: Brass Wind)
- Maxime-Alphonse 200 New Studies for
Horn, Book 3: no.23 in Eb or no.32 in C
(Leduc/U.M.P.)
- de Pre 20 Etudes
pour le Cor grave: no.1 or no.5
(Billaudot/U.M.P.)
- Lowell E. Shaw Just Desserts – Frippery
Style: no.6
(The Hornist’s Nest/Emerson)
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音階與琶音: from memory, to be
played slurred, legato-tongued and staccato in the following keys:
All keys, major and minor (two octaves;
A and Bb majors and minors both lower and upper two octaves)
Scales: in the above keys (minors
in both melodic and harmonic forms)
Chromatic Scales: starting on any note (two octaves)
Arpeggios: the common chords of the above keys for the ranges
indicated
Dominant Sevenths: in the keys of B, C, Db and D (two octaves)
Diminished Sevenths: starting on C and Ab (two octaves)
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