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三首考曲: 由下列A,B,C,三組中各選一首(選錯曲可能不計分)
A 組
- Byrd The Earl of Salisbury’s Pavan
Time Pieces for Horn, Vol. 1, arr. Harris and Skirrow (Associated
Board)
- Handel See, the Conqu’ring
Hero Comes (from ‘Judas Maccabaeus’)
Time Pieces for Horn, Vol. 1, arr. Harris and Skirrow (Associated
Board)
- Schumann Soldiers’ March (from
‘Album for the Young’, Op.68)
Time Pieces for Horn, Vol. 1, arr. Harris and Skirrow (Associated
Board)
- Weber Theme from ‘Der Freischutz’
Overture
Time Pieces for Horn, Vol. 1, arr. Harris and Skirrow (Associated
Board)
- Delius La Calinda.
No.6 from Going Solo – Horn, arr. Bissill and Campbell (Faber)
- Dvorak Slavonic Dance.
No.3 from Up and Running, arr. Skirrow (Camden Music CM 015/Spartan
Press)
- Anthony Randall Serenade
(F/E b edition: Broadbent & Dunn)
B 組
- Delius Lullaby (from ‘5 Piano Pieces’)
Time Pieces for Horn, Vol. 1, arr. Harris and Skirrow (Associated
Board)
- Paul Harris Hunt the Horn
Time Pieces for Horn, Vol. 1, arr. Harris and Skirrow (Associated
Board)
- Ronald Hanmer Suite for Horn:
1st or 2nd movt, Prelude or Waltz
(Emerson)
- Ray Hensher
Ragtime Horn.
10 Easy Tunes for Horn, arr. Humphries (Fentone/De Haske)
- John Lennon and Paul
McCartney Yesterday.
The Beatles for Horn in F, arr. Mortimer (Editions Marc Reift/MusT)
- Jim Parker Penguin Parade.
Top Line Album for Horn (Brass Wind)
- Michael Rose Russian Winter
Holiday, from ‘Horn on Holiday’
(Associated Board)
- Thoma Simaku The Blossoming Rose, from ‘Six Albanian Folksongs’
(F/E b edition: Emerson)
C 組
- Deborah Calland Keep Moving, from
‘Top Brass’
(Stainer & Bell)
- Concone Study no.1 (Op.9
no.3) or no.2 (Op.9 no.4) or no.3 (Op.17 no.1).
Concone Studies for Horn in F, arr. Ashworth (Emerson)
- Peter Lawrance Arietta, from ‘Featuring
Melody’
(Treble clef brass edition: Brass Wind)
- Maxime-Alphonse 200 New Studies
for Horn, Book 1: no.3 in E b or no.9 in A minor/major
(Leduc/U.M.P.)
- John Miller Rubic Rumba or
The Easy Easy Winners: no.27 or no.31 from ‘Simple Studies
for Beginner Brass’
(Faber)
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音階與琶音:from memory, to be played both slurred and tongued in the
following keys:
C, E minors (one octave, starting
an octave above lowest tonic)
G, A majors; G minor (a twelfth, starting below stave)
Scales: in the above keys (minors
in melodic or harmonic form at candidate's choice)
Chromatic Scale: starting on C (one octave)
Arpeggios: the common chords of the above keys for the ranges
indicated
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