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報考資格：須通過第五級以上樂理或實用音樂素養
三首考曲: 由下列A,B,C,三組中各選一首(選錯曲可能不計分)
A 組
- Bull Ut, re, mi, fa,
sol, la (I). Bull 10 Pieces (Stainer & Bell)
- Byrd Pavana and
Galiarda. No.12 from Early English Keyboard Music (O.U.P.)
- Cabanilles Passacalles (de
primero tono). No.14 from Early Spanish Keyboard Music, Vol.2
(O.U.P.)
- F. Couperin Passacaille:
Rondeau (from 8me Ordre, 2me Livre). No.22 from Early French Keyboard
Music (O.U.P.)
- Rameau Courante in A
minor. No.29 from Early French Keyboard Music (O.U.P.)
- M. Rossi Toccata no.7. No.24
from Early Italian Keyboard Music (O.U.P.)
- Sweelinck Mein junges Leben
hat ein End'. No.7 from Early German Keyboard Music (O.U.P.)
B 組
- J. S. Bach Partita no.2 in C
minor, BWV 826: 1st movt, Sinfonia. Bach Partitas
I-III (Associated Board)
- J. S. Bach Prelude and Fugue
in B flat, BWV 866: No.21 from 'The
Well-Tempered Clavier', Part 1 (Associated Board)
- J. S. Bach Prelude and Fugue
in E, BWV 878: No.9 from 'The
Well-Tempered Clavier', Part 2 (Associated Board)
- J. S. Bach English Suite
no.3 in G minor, BWV 808: 4th and 7th movts, Sarabande-Les
agréments de la même Sarabande and Gigue. Bach English
Suites, Book 1 (Associated Board)
- Buxtehude Prelude and Fugue
in G minor, BuxWV 163. Buxtehude Selected Keyboard Works (Breitkopf
& Härtel EB 6281)
- Handel Suite no.5 in E,
HWV 430: 3rd and 4th movts, Courante and Air and
Doubles. Handel
8 Great Suites, Book 2 (Associated Board)
- Handel Suite no.8 in F
minor, HWV 433: 1st and 2nd movts, Prelude and (Fuga):
Allegro. Handel
8 Great Suites, Book 2 (Associated Board)
C
組
- J. C. Bach Sonata in G,
Op.17 no.4 (Range of piece extends above d''') J. C. Bach Sonatas,
Book 2 (Henle/Music Sales or Henle-Schott/M.D.S.)
- W. F. Bach Polonaise no.3 in
D (Range of piece extends above d'''), from '12 Polonaises'
(Associated Board)
- György Ligeti Passacaglia
ungherese (Schott 6843/M.D.S.)
- Scarlatti Sonata in C
minor, Kp.84 L.10 Scarlatti
Selected Keyboard Sonatas, Book 1 (Associated Board) or Scarlatti
60 Sonatas, Vol.1 (Schirmer/Music Sales)
- Scarlatti Sonata in G,
Kp.105 L.204 Scarlatti
Selected Keyboard Sonatas, Book 1 (Associated Board)
- Scarlatti Sonata in C,
Kp.132 L.457 Scarlatti
Selected Keyboard Sonatas, Book 1 (Associated Board) or Scarlatti
60 Sonatas, Vol.1 (Schirmer/Music Sales)
- Scarlatti Sonata in G,
Kp.427 L.286 Scarlatti
Keyboard Pieces and Sonatas, Book 2 (Associated Board)
- Scarlatti Sonata in D,
Kp.436 L.109 Scarlatti
Keyboard Pieces and Sonatas, Book 3 (Associated Board)
- Soler Sonata in C sharp
minor, R.21 (Range of piece extends above d''') Soler 14 Sonatas
(Faber)
- A. Tcherepnin Suite for Harpsichord,
Op.100: 3rd movt, Explorations (Range of piece extends above
d''') (Peters P-6879)
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Scales and
Arpeggios: from memory:
SCALES:
(i) in similar motion with hands
together one octave apart, legato or staccato as directed by the
examiner, in all keys, major and minor, both melodic and harmonic
(three octaves)
(ii) in similar motion with hands a third apart and a sixth apart in
the keys of D, A, E, B flat and E flat majors, and A, E and D minors (three
octaves)
(iii) with each hand separately, in thirds in the major keys of C and B flat
(two octaves)
CHROMATIC
SCALES:
(i) in similar motion with hands a
minor third apart beginning on any notes named by the examiner (three
octaves)
(ii) one scale with each hand separately, in minor thirds starting on A
sharp/C sharp (two octaves)
ARPEGGIOS:
with hands together one octave apart:
(i) the common chords of the
following keys in root position, first and second inversions:
C, G, D, A, E, B, F, B flat, E
flat, A flat, D flat majors (three octaves)
A, E, B, F sharp, C sharp, G sharp, D, G, C, F, B flat minors (three octaves)
(ii) chords of the dominant
seventh, in root position only, in the keys of C, G, D, A, E, B, F, B flat, E
flat and A flat (three octaves).
Playing at Sight and Figured Bass Realization: candidates will be
required to play a piece at sight (See General
Regulations for Harpsichord), and also to realize a figured bass passage,
up to sixteen bars in length and in simple or compound time, in the key of C,
G, D, F, B flat or E flat major, or A, E, B, D, G or C minor. In addition to
the requirements of Grade 7, the figures may include the:
and 7 chords. Chromatic
accidentals may occur in the figures and the bass. The passage will have a
mood or tempo indication or a dance title, which must be taken into account
by the candidate in achieving a musical realization, particularly with regard
to the rate of harmonic change and the inessential notes in the bass.
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