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報考資格：須通過第五級以上樂理或實用音樂素養
三首考曲: 由下列A,B,C,三組中各選一首(選錯曲可能不計分)
A 組
- A. de Cabezón Diferencias sobre
el canto llano del caballero. No.18 from Early Spanish Keyboard
Music, Vol.1 (O.U.P.)
- F. Couperin La Convalescente
(from 26me Ordre, 4me Livre). Style and Interpretation, Vol.1
(O.U.P.)
- F. Couperin Prélude no.5 in
A, from 'L'Art de toucher le Clavecin'. No.19 from Early French
Keyboard Music (O.U.P.)
- Rameau Rondeau: Les
Tendres Plaintes. No.30 from Early French Keyboard Music (O.U.P.)
- Farnaby Giles Farnaby's
Dreame; His Rest; & His Humour. No.16 from Early English Keyboard
Music (O.U.P.)
- Tomkins A sad paven for
these distracted tymes. No.23 from Early English Keyboard Music
(O.U.P.)
- Froberger Toccata in C. No.11
from Early German Keyboard Music (O.U.P.)
B 組
- J. S. Bach Sinfonia no.12 in
A, BWV 798. Bach
Inventions and Sinfonias (Associated Board)
- J. S. Bach English Suite
no.6 in D minor, BWV 811: 5th and 6th movts, Gavottes I and
II. Bach
English Suites, Book 2 (Associated Board)
- J. S. Bach Partita no.5 in
G, BWV 829: 1st movt, Praeambulum. Bach Partitas
IV-VI (Associated Board)
- Handel Fugue no.3 in B
flat, HWV 607. Handel
Selected Keyboard Works, Book 4 (Associated Board)
- Handel Suite no.2 in F,
HWV 427: 2nd movt, Allegro. Handel 8 Great
Suites, Book 1 (Associated Board)
- Handel Suite no.8 in F
minor, HWV 433: 5th movt, Gigue. Handel 8 Great
Suites, Book 2 (Associated Board)
C
組
- Arne Sonata no.3 in G:
1st and 2nd movts, Prelude and Allegro. Arne 8
Keyboard Sonatas (Faber)
- Stephen Dodgson Invention no.11
(Range of piece extends above d''') (2nd Set no.5) (Associated Board)
- Haydn Sonata in E
minor, Hob.XVI/47 (early version): 2nd movt, Allegro. Haydn Selected
Keyboard Sonatas, Book 2 (Associated Board)
- Martinu Impromptu no.1,
from '2 Impromptus pour Clavecin' (Eschig/U.M.P.)
- Scarlatti Sonata in A
minor, Kp.3 L.378. Scarlatti 60 Sonatas, Vol.1 (Schirmer/Music Sales)
- Scarlatti Sonata in D,
Kp.278 L.S.15. Scarlatti
Keyboard Pieces and Sonatas, Book 2 (Associated Board)
- Scarlatti Sonata in E,
Kp.380 L.23 Scarlatti
Keyboard Pieces and Sonatas, Book 3 (Associated Board)
- Scarlatti Sonata in D,
Kp.535 L.262 Scarlatti
Keyboard Pieces and Sonatas, Book 3 (Associated Board)
- Scarlatti Sonata in F
minor, Kp.466 L.118. Scarlatti
Selected Keyboard Sonatas, Book 1 (Associated Board)
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Scales and
Arpeggios: from memory:
SCALES:
(i) in similar motion with hands
together one octave apart, in all keys, major and minor, both melodic and
harmonic (three octaves)
(ii) in similar motion with hands a third apart (three octaves), and
in contrary motion beginning and ending on the key-note (unison), in the
major keys of C, G, D and F (two octaves)
CHROMATIC
SCALES:
(i) in similar motion with hands
together one octave apart, beginning on any note named by the examiner (three
octaves)
(ii) in contrary motion, with hands beginning and ending on the same note
(unison), starting on C and on F sharp (two octaves)
ARPEGGIOS:
with hands together one octave apart:
(i) the common chords of the
following keys in root position and first inversion:
C, G, D, A, E, B, F, B flat, E
flat, A flat, D flat majors (three octaves)
A, E, B, F sharp, C sharp, G sharp, D, G, C, F, B flat minors (three octaves)
(ii) chords of the dominant seventh, in root position
only, in the keys of C, G, D and F (two octaves).
Playing at Sight and Figured Bass Realization: candidates will be
required to play a piece at sight (See General
Regulations for Harpsichord), and also to realize a figured bass passage,
about eight bars in length and in simple or compound time, in the key of C,
G, D, F or B flat major, or A, E, D or G minor. The figures may include the:
and
chords and the:
suspension. Chromatic accidentals
may occur in the figures and the bass.
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