|
報考資格：須通過第五級以上樂理或實用音樂素養
三首考曲: 由下列A,B,C,三組中各選一首(選錯曲可能不計分)
A 組
- Byrd Callino
Casturame. No.11 from Early English Keyboard Music (O.U.P.)
- Chambonnières Chaconne in F. No.5
from Early French Keyboard Music (O.U.P.)
- L. Couperin La Piémontoise (with
repeats). No.10 from Early French Keyboard Music (O.U.P.)
- F. Couperin Les Lis naissans
(from 13me Ordre, 3me Livre). No.35 from Harpsichord Method, ed.
Maria Boxall (Schott 11244/M.D.S.)
- Dandrieu La Lyre d'Orphée Style
and Interpretation, Vol.1 (O.U.P.)
- Gibbons Ground in A
minor. Gibbons 8 Keyboard Pieces (Stainer & Bell)
B 組
- J. S. Bach Sinfonia no.6 in
E, BWV 792. Bach
Inventions and Sinfonias (Associated Board)
- J. S. Bach English Suite
no.3 in G minor, BWV 808: 5th and 6th movts, Gavottes I
and II. Bach
English Suites, Book 1 (Associated Board)
- J. S. Bach French Suite no.2
in C minor, BWV 813: 1st movt, Allemande. Bach French
Suites (Associated Board)
- Handel Allegro in A
minor, HWV 574/2. No.3 from
Handel Selected Keyboard Works, Book 2 (Associated Board)
- Handel Suite no.3 in D
minor, HWV 428: 3rd movt, Allemande. Handel 8 Great
Suites, Book 1 (Associated Board)
C
組
- C. P. E. Bach Allegro in A,
Wq.116/16. No.2
from C. P. E. Bach Selected Keyboard Works, Book 2 (Associated Board)
- Haydn Sonata in D,
Hob.XVI/4: 1st movt (Allegro moderato). Haydn Selected
Keyboard Sonatas, Book 1 (Associated Board)
- Scarlatti Sonata in D
minor, Kp.9 L.413. Scarlatti
Keyboard Pieces and Sonatas, Book 3 (Associated Board)
- Scarlatti Sonata in F sharp
minor, Kp.67 L.32. Scarlatti
Keyboard Pieces and Sonatas, Book 2 (Associated Board)
- Scarlatti Sonata in G,
Kp.259 L.103. Scarlatti 60 Sonatas, Vol.1 (Schirmer/Music Sales)
- Scarlatti Sonata in B
minor, Kp.377 L.263. Scarlatti
Keyboard Pieces and Sonatas, Book 1 (Associated Board)
|
|
Scales and
Arpeggios: from memory:
SCALES:
(i) in similar motion with hands
together one octave apart, in all keys, major and minor, both melodic and
harmonic (three octaves)
(ii) in contrary motion with hands beginning and ending on the key-note
(unison), in the major keys of C, G and F (two octaves)
CHROMATIC
SCALES:
(i) in similar motion with hands
together one octave apart, beginning on any note named by the examiner (three
octaves)
(ii) in contrary motion, beginning on C with the left hand and E with the
right, a third apart (two octaves)
ARPEGGIOS:
with hands together one octave apart:
(i) the common chords of the
following keys, root position only:
C, G, D, A, E, B, F, B flat, E
flat, A flat, D flat majors (three octaves)
A, E, B, F sharp, C sharp, G sharp, D, G, C, F, B flat minors (three octaves)
(ii) diminished seventh chords, beginning on B, C and C
sharp (two octaves).
Playing at Sight and Figured Bass Realization: candidates will be
required to play a short piece at sight (See General
Regulations for Harpsichord), and also to realize a figured bass passage,
about eight bars in length and in simple time, in the key of C, G, D or F major,
or A, E or D minor, which may include the:
chord as previously required and
the:
and
chords. Inessential notes not
requiring realization will be indicated by a horizontal line
|
